System Requirements: macOS 12.6 or later, 4GB of RAM (8GB recommended for 4K editing, 3D titles, and 360° video editing), Metal-capable graphics card, 1GB of VRAM recommended for 4K editing, 3D titles, and 360° video editing, 5.5GB of available disk space. Import and export XML for third-party workflows like color grading and sound mixing.Export audio stems and multiple versions of a finished video using roles metadata.Incredibly fast export for playback on Apple devices and upload to websites such as Vimeo and YouTube.Accurately view HDR on the MacBook Pro and Pro Display XDR.Powerful color wheels and curves for precise adjustments with keying and masks.Import, edit, and deliver video in standard color spaces, or in Rec.Sync video with separate audio in a single step with instant audio waveform matching.Apply intuitive Logic-based effects and reduce background noise to isolate voices.Expand and edit multichannel audio files directly in the timeline.Assign roles during import to easily track and organize your project.Choose from an ecosystem of third-party FxPlug plug-ins with custom interfaces.Change the look of titles, transitions, and effects using intuitive controls.Beautifully animated, easily customizable 2D and 3D titles.Work with a broad range of formats including ProRes, RED, XAVC, AVCHD, Avid DNxHR®, Avid DNxHD®, H.264, HEVC, and more. Unrivaled performance with optimizations for the M2 Pro, M2 Max and M1 Ultra chips on the new MacBook Pro and Mac Studio.Improved speed and efficiency on Mac computers with Apple silicon.Locate duplicate media in the timeline using highlighted clip ranges or the Timeline Index.Smart Collections dynamically organize content for you to quickly find any shot in a few clicks.Apply custom keywords or favorites on the fly as you select clip ranges.Create proxy copies of your media for portability and performance.Organize your work within libraries for efficient media management and collaboration.Extend the capabilities of Final Cut Pro with third-party workflow extensions.Create, edit, and deliver closed captions from within Final Cut Pro.Import and edit 360° equirectangular video in a wide range of formats and frame sizes.Automatically transform projects for square or vertical delivery with Smart Conform.Edit multicamera projects with automatic syncing and support for up to 64 camera angles.Change focus points or the depth effect for video shot in Cinematic mode on iPhone (requires macOS Monterey or later).Powerful drag-and-drop Object Tracker automatically matches titles and effects to the movement of faces or objects.Enhanced Timeline Index lets you drag and drop audio roles to rearrange the layout of your timeline.The Magnetic Timeline uses advanced metadata and Clip Connections for faster, easier editing.As Yuval said, the handovers to audio post and final grading were flawless.Final Cut Pro combines revolutionary video editing with powerful media organization and incredible performance to let you create at the speed of thought. "Skin" was cut by a renowned feature editor who edits all his movies with Final Cut Pro, and it was finished in high-end post houses in Tel Aviv and Los Angeles. One year after "Silent Child" won the Oscar for Best Live Action Short Film at the 2018 Academy Awards, another short movie made with FCPX gets an Oscar Nomination. I like to buy programs that help me with my work. When the edit was completed, I used Worx4 X to archive the project and create some space on my drives. I have had some issues with X2Pro before, especially with clips that had different frame rates, but this time everything was great. He uses ProTools, so I gave him an H.264 reference video along with an AFF from X2Pro and it worked perfectly from the start. The sound design was done by Ronen Nagel, who is one of the best sound designers in Israel. The movie, which has an amazing cast, was directed by Guy Nattiv and edited on FCPX by Yuval Orr, a well-known Fiction and Documentary feature editor in Israel. That's the resume for "Skin", a beautiful and shocking short movie which has been nominated in the Best Live Action Short Film category of the 91st Academy Awards.
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